Anybody know any tricks or tips to developing the style of baseline keeping that Reynolds does on like the low-E or A string in songs like Chatterbox or Stranger in a Strange Land, etc. It's awesome, and I've heard others do it, but still, it's awesome-er when Tim does it.
Well.......just like any other TR song that you want to learn, you have to learn it at least half the speed before everthing is committed to memory. I think when you play with the baselines when going slower, you slowly get better at them. Now.......what I want to know is how Buckingham from Fleetwood Mac does that baseline on Big Love, which is completely independent of the other part he's playing.
"A life spent making mistakes is not only more honorable but more useful than a life spent doing nothing." - George Bernard Shaw